A semi-nomadic online traveller from Verdigris, archiving, connecting and creating as much as he can.
Also a budding architect, visual artist, and demoscene musician at heart.
You can also see me down Masto-raft at @jupritona, and Fanlore (JWPH) and Newgrounds (that1verdeian).
vivid/statis
Venice 2089
Clodhoppers
When the Past was Around
Not only that, but through his past connections as a demoscene musician back in the early 1990s (for example, the dark cyberpunk/sci-fi aspect of the soundtrack for “Hardwired”, an Amiga OCS creative demo by Silents and Crionics), he has shown his homegrown compositional prowess, even to other musical genres unrelated to that.
Reading all of this in depth while silently sipping across my leaf-green cup of hot 3-in-1 coffee in the morning, I’m now seeing almost the whole picture with the new TenForward online hub-raft and the reasons for its founding. ValSub, as evidenced by the screenshots and credible anecdotes by others experiencing the ire at the supposed mod overreach on that particular instance, has come off to me as bespoke of a too passionate fan enthusiast, much like that of Dream SMP of a few years prior, while exhibiting multiple instances of verified victim complex. Even though the original intent of said instance is to have a fair ground for all to discuss and meme their watched Star Trek content, including fanworks (Happy International Fanworks Day, after all!) of every type.
In the end, as a fellow recent Fediversian myself, I take sympathy towards not only you, Stamets, but also to the countless others who have been fed up with the sudden debauchery of such a rogue, highly-agitated mod person for weeks on end.
May the Federation prosper, even through understandable disagreements and hardships, as well as triumphs and camaderie, both large and small.
If you’re the type who wants to unwind from the hyper-realistic art style of most mainstream games nowadays, while also exploring modern Filipino life and culture through the eyes of a young adult student, the Until Then demo might be up your alley. Aside from the pixelated art style coming from the devs themselves, who are also wholly Filipino themselves, there’s quite a substantial attention to detail when it comes to the greater Metro Manila and the suburban locations around, including our local circuses. Oh, and there’s also quite a bit of mysteriousness and some philospophy to it, as vaguely evidenced by its Playstation 5 trailer.
Recently tried out vivid/statis on PC (via my older sister’s (now my younger bro’s) laptop) since last week, even though I’m not that much of a rhythm game enthusiasts, speaking as a young adult keen on exploration and slow-paced music in video games.
For what it’s worth, it just feels and plays quite good, with only four keys to smash and hold note bars to (much like Stepmania and other related RGs, but with the addition of bumper bars), as well as a couple of modes and storyline beats to try and dive deep into, including the tough-as-nails, one-miss-and-you-fail Ultimate mode. And its palette of featured songs are a worthwhile mention, ranging from the slow-paced to the absolute hardcore banger type. And this week, I just scored my first FC on Luminaria (Opening 1), and witnessed the game’s first edition of their tournament DUALIZED ASCENSIA unfold, from start to finish. Reeked of adrenaline-fueled fun and competition.
That being said, playing through my way on this game deffo improved on my physical reflexes and typing speed quite a bit, even though I get grades lower than A on certain harder charts. I guess we will see if I can achieve my first V grade and complete Class 1 in Course Mode after a couple more rounds of practice and studying Youtube plays of some of those aforementioned charts.
Here, too. My feed’s all about architecture, random ramblings, things of nature, music, and of course, Fediverse stuff.
I feel it pleasant to just curate that raftbox of mine to whatever interests I actively do have at the moment, without the vitriolic banter and doomscrolling most other social media platforms have harbored as of late.
@HeartyBeast Jokes on you, I already figured out what story’s on its surface (except for spoiler-territory stuff), as well as having indirectly encountered this banger of a rhythm game myself, through two rip vids on both SiIvaGunner and TimmyTurnersGrandDad several weeks ago, of all things.
This is quite a bonafide selection of bundle games indeed, perfect for an individual, earnest cold-season picking! May I get A Short Hike, then?
It would be mostly this song by Filipino band Over October, even though this could also apply to those missing their own parents or siblings for so long:
Into the Light
It’s deffo r/Flairwars and r/Num for me, despite not having been in the latter in the time I was on that site.
Both have their own unique inside jokes, battling systems, lore, fanworks, and most of all, a slow yet steadily thriving community that’s accepting of everyone. I often wonder how my first aforementioned community would thrive in this vast federated space, especially with all the new possibilities out here… Maybe new lore expansions, and a reinvigoration on the way?
Headcase by Derivakat
And including Lualhati Bautista, Fred Rogers, and a few more kindred souls, of which we lost some too soon into their long lives…
Moreso in that blood-crimson, with-large-ominous-hand-constructs purgatory known as RED SPACE, with OMORI’s true form constantly berating their souls for their unspeakable transgressions towards their fellow humans.
And, about time for some listening to this one banger Free Money! rip on Youtube as a sort of ironic celebration.
Do they whistle around and call friends when in battle?
That would be OMORI, first and foremost.
That alone made me call to mind this rather poignant and moving Dream SMP fansong called “Vantage” by Halfy & Winks (and also a few hundred more teenage and adult musicians and choir tryouts), of which its lyrics could also apply to what’s happening to us, not just in Gaza, but also in Ukraine, and in South Sudan, etc…
Something… behind you?
Says that one anguished Basil inside that one triangular ghastly time loop thingy.
And by that, he’ll call it his own “Las Nevadas”, but way, way more insidious and manipulative.
This is just the latest of a barrage of instances whereupon justice does not compromise at all, regardless of circumstance or side, and moreso upholds the rights of the truly hapless, as well as those who continually campaign for humanity’s good, over those who campaign only for themselves and their ill-gotten wealth and power.